Creators Michael Dante DiMartino and Bryan Konietzko Depart Netflix Live-Action Project Over Creative Differences
Many of you have been asking me for updates about the Avatar live-action Netflix series. I can finally tell you that I am no longer involved with the project. In June of this year, after two years of development work, Bryan Konietzko and I made the difficult decision to leave the production.
When Bryan and I signed on to the project in 2018, we were hired as executive producers and showrunners. In a joint announcement for the series, Netflix said that it was committed to honoring our vision for this retelling and to supporting us on creating the series. And we expressed how excited we were for the opportunity to be at the helm. Unfortunately, things did not go as we had hoped.
Look, things happen. Productions are challenging. Unforeseen events arise. Plans have to change. And when those things have happened at other points during my career, I try to be like an Air Nomad and adapt. I do my best to go with the flow, no matter what obstacle is put in my way. But even an Air Nomad knows when it’s time to cut their losses and move on.
I started to reevaluate what is truly important in my life and what I wanted to do with what’s left of it. I took some advice from Uncle Iroh. I looked inward and started asking myself the big question: “Who are you and what do you want?”
I also sought wisdom from Stoic philosophers who were big on differentiating between what is within our control and what isn’t. I realized I couldn’t control the creative direction of the series, but I could control how I responded. So, I chose to leave the project. It was the hardest professional decision I’ve ever had to make, and certainly not one that I took lightly, but it was necessary for my happiness and creative integrity.
And who knows? Netflix’s live-action adaptation of Avatar has the potential to be good. It might turn out to be a show many of you end up enjoying. But what I can be certain about is that whatever version ends up on-screen, it will not be what Bryan and I had envisioned or intended to make.
I also want to be clear that this doesn’t mean the end of my involvement in the Avatar universe. These stories and characters are important to me and the renewed interest and excitement in Avatar and Korra has been inspiring to see.
Writing this letter has left me with a very heavy heart. I know many of you will be disappointed and frustrated by this news. I get it. I share your disappointment and frustration. I also recognize this creative setback is small compared to the problems we’re all facing as a society right now.
Thankfully, Iroh offered some wisdom for that, too: “Sometimes life is like this dark tunnel. You can’t always see the light at the end of the tunnel, but if you just keep moving you will come to a better place.”
May we all keep moving and come to a better place.
Thanks for reading and for your continued enthusiasm for the Avatar universe.
Water. Earth. Fire. Air. Netflix subscribers will be getting all four of the elements when all three seasons of Nickelodeon classic “Avatar: The Last Airbender” hits the streaming service May 15.
“Avatar: The Last Airbender,” which ran for 61 episodes and concluded in 2008, takes place in an Asiatic-inspired world split into four nations, each represented by a particular element. The story centers on Aang, the titular Avatar and last surviving Airbender, who was capable of using all four elements and is destined to save the world after the Fire Nation begins a genocidal campaign across the planet.
The series, which was influenced by anime and American cartoons, was lauded by critics, particularly for the delicate handling of its themes, including the sanctity of life, fatalism, and totalitarianism, which are rarely covered in children’s media. “Avatar” also features a large cast of memorable and beloved characters, such as exiled Fire Nation prince Zuko, his wise uncle Iroh, blind Earthbending prodigy Toph Beifong, and Water Nation siblings Katara and Sokka
Michael Dante DiMartino